with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

odd socks 006 comes in the form of a collection of remixes. max graef gets the ball rolling with his sophisticated take on glenn astro & imyrminds >kdim<. a hypnotic patchwork of original themes and maxs refined style. rounding off the a-side, imyrmind weaves a psychedelic web of saines fragile tones. schizophrenic, squiggly, and finally jersey jackin. on the b-side, james creed presents a shuffling housed-up version of josh t & arkists slow jam, >fleabag<. re-appropriating its faux-vintage stabs into a dreamy central motif matched with warm portamento-laced basslines. finally, josh t closes the record with an ultra deep workout in his interpretation of james creeds >undone<. sustained strings and ice cold hi-hats meet muted percussion in this classicly fashioned revision.

subb-an is back with one of the most hyped tracks to land on crosstown rebels in recent times. a collaboration with cedric from azari & iii under new moniker s.y.f (starving yet full), say no more shows the wunderkind producer on a wholly satisfying song-based tip. a killer weapon for any peak-time dancefloor, its a bumpy infectious ride with a wonky edge - steeped in the soul of cedrics vocals rolling over immaculately crafted grooves

culprit enters the new year with one of its most eagerly anticipated releases yet - the full ep return of adriatique. the swiss duo has become the labels core artists in the past 15 months. their prolific output for the la­based imprint has included two compilation tracks, a remix of one culprits signature tunes of 2013 (edu imbernon & los surubas fayer) and now a second ep of original material.

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

nachpressung des album-klassikers von 1984! produziert von prince jammy mit der hi-times band und deren bandleader earl chinna smith im channel one studio, am mischpult saß als toningenieur soldgie hamilton. mit half pints größten hits: mr landlord, puchie lou, you lick me first, one big ghetto.half pint (buergerlich lindon roberts) wurde in 1983 schlagartig bekannt, als er den song winsome veroeffentlichte, der von den rolling stones als too rude gecovert wurde.

a monster rolling dubby track clocking in at over 8 minutes. amazing production work. play loud! mr beatnicks signature organic drum work, coupled with additional melodies and beautiful strings take this track somewhere completely new, while still retaining the feel of the original. 400 hand printed sleeves, made using raised wood grains.

waxing egos ep is system2s debut release.waxing egos is an electronic/techno rolling 909 inspired track. with a distorted bass & clean drums, weird builds & simplistic drops the track is an up tempo stomper

the balls are rolling, the caller has been summoned… eyes down ladies and gentleman for the marx trukker. a for you b for me goes flat out from the get go, trukker bringing forth dub, attenuating heavily bound techno under the sherman filter plough - sleek yet lo-fi sound design, infectious electronic folkart.

the late 2010 album soulbooster from command strange is now split in two parts for the collectors. plate 2 contains you cant touch this.. command strange takes the vibe down a bit for a vibing deep roller for those special moments.. if r&b could be d&b then this would be its slow jam..for the last side we turn to want you back.. one last time we crank it up a notch with some good ol rolling breakbeats and smooth piano touches.. a brilliant jazzy roller with a vibe like no other

following a noticeable entrance onto the dame-music roster with the dame-music 021 *the jonh red hawk project*, anaxander returns on bloody marys imprint for an other fine ep. with a deep, spooky and atmospheric introduction, *you saved my life (brothers and sisters)* cruises through with rolling drums and metallic bass softened by pads. this subsequently evolves into that anaxander signature melody as the track twists it way to an uplifting mood.

fast making his way on the underground circuit, rising star samu.l is back onboard one records home ground delivering his first single release for the label with the entrancingly dark and driving monster *invitations*. rolling with effortless groove and an all encompassing depth in the atmospherics, this is essential dj weaponry perfect for the late hours or early morning. warmly welcomed to the label we see the highly talented martin buttrich conjure up a powerful remix true to his distinct style, with a grumbling bassline and sonic force that will undoubtedly dominate any dance floor at peak time, complemented with a raw and chugging dub version to complete the ultimate package.

limited to 300 copies. rolling, bass-heavy deep house and techno from loopdeville on new label delooped. fans of the odd music releases will go nuts for this!

using rolling percussion and a thumping kick, primo really is unbeatable! luigi uses synth stabs that add character and finesse to this outstanding piece of music. hypnotizek rounds off the ep being more upfront about where its going. this cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

vinyl only! chunky beats and rolling bass will give the party something to remember. groovy and trippy release by clark davis. incl. huge yokoo remix.

this 5 track ep from chicagos noble square is based on the rolling canvas artwork on various freight trains in chicago and features cuts by lifes track (2 young italian producers), defend:r and label boss ricardo miranda (who also did the label artwork and photography).

fourth single of the recently released gummihz presents alles claap vol.1 mixed compilation. for the last single we have two of claaps finest nikola gala and john dimas, who have remixed each other. the result is two tight grooves to keep you bouncing all night. sweat it out with nikolas raw take on johns quick dance. a remix heavy on the pressure! then john gives full swing to nikolas party people rolling out the originals tight arrangement to loose joints on the dancefloor!

mike gill who has already featured on roots for bloom teams up with taymor zadeh to bring us the coppin a feel ep featuring a john dimas remix. the a side *coppin a feel* brings us hard hitting groove with a hypnotic vocal line carrying the track. loose percussion and bold tom drums really cement this to work on any dance floor. the b side cut *the message* is a more rolling groove with a strong rhodes line that features later on really making the track evolve. john dimas takes *the message* and takes the atmosphere up a notch, with slick cut up vocals. this one will work in the early hours.

italian soundtrack funk that sounds like goblin recording at stax! (wax poetics magazine)
record kicks proudly presents the new album by italian soundtrack funkateers calibro 35! there is one thing that italians do better than others, funky soundtracks. quentin tarantino knows best: soundtracks from italian movies of the 60s and the 70s are the thing! calibro 35 does with music what tarantino does with films. they borrow what they love and they make it their own. with rolling stone magazine words *calibro 35 are the most fascinating, retro-maniac and genuine thing, that happened to italy in the last years*, think at the budos band that meets morricone.

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

the manic brothers - voices huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerize the crowd. hidden history includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

jamal moulays radio telepathy ep is a rolling, swooning piece of dub house with an expansive, deep and head-swimming effect. and , not to forget : its vinyl only - no digital bullshit

nycs escort, founded by eugene cho and dan balis and fronted by the enormous vocals of lead singer adeline michèle, delivers a danceable blend of disco, funk & soul that pays homage to the classics while remaining fresh and modern. mysterious dance duo tiger & woods are known for cutting pop melodies with sourced disco, boogie & funk edits. check out the *barbarians* (tiger & woods remix) space invader where it premiered with pitchfork. following a critically acclaimed self-titled debut album that was hailed as one of the best albums of 2012 by both spin and rolling stone, escort will release the 12 inch vinyl package complete with remixes by italian nu disco kings tiger & woods, jkriv of deep&disco/razor-n-tape and a dub by the mysterious rance muhammitz.

gone too long from rising duo him_self_her is a bonafide bomb - house with feeling and a massive bassline and killer vocal from kieran fowkes. reinvigorated by crosstown rebels for a re-release after it came out on mexican label cream couture last year, this time the infectious original comes backed with remixes from belgian hero compuphonic, who injects more bounce, bleeps and emotive melody and the mighty yousef whos darker circus rework is a deep affair of rolling drums and dubby textures

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

berlins new hottest residents eric volta & sebastian voigt team up once again, this time bringing their infectiously deep and dark edge onto the visionquest imprint. with intoxicating dreamy synths, title track words and chance opens up into real groover with the seductively haunting lyrics from rising artist forrest adding a new dimension. on the flip one quarter of the visionquest power force lee curtiss takes the reins to deliver a chugging dancefloor ready remix with effective play on the vocal. eric volta then goes solo with one last more? riding out through rolling percussion with beautiful textures

a firm favourite in the rebellion camp, prolific producer aidan lavelle makes his third appearance on the imprint this time with the immense direction ep, comprising of three outstanding big room tracks that will blow your mind. powerful build ups and epic breakdowns will dominate the dancefloor while trippy fx, rolling grooves and deep tribal undertones will circulate the atmosphere with aidans vocoder enhanced vocals adding a real stand out element. all three tracks are to be played loud for full effect and maximum destruction on the dancefloor

triple vinyl pack from iww music for one special price, containing these eps:
- iww 004: various - munich love stories ep
- iww 006: leon - walking ep
- iww 007: alex q - guten morgen rosengarten ep

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

ltd 2013 repress in 180g vinyl! masterpiece of rolling minimal dub tech !! there he is again, boris steffen aka jichael mackson strikes back after more then a 2 years break with a statement of art, which only he can deliver in this unbelievable form. already known for his journeys on pastamusik, hartchef or musique risquee he has almost established his own brand of techno. call it jichael techno or mackson funk, his characteristic sound scapes were tried to copy many times. without success.

new debut on be as one, from a well respected and talented artist, who conquered critics and fans both for the quality of his tight productions and the lush sounds of his dj sets, italian born alex picone. it takes time ep is made up of 3 very unique, carefully crafted works, each one with its own strong character. another time opens the ep with a 909 classic sound and a hypnotic melody that gently set the mood for the following it takes two, which lift up the tone and get the groove rolling.the darker one of the trio, fake room closes the ep injecting uplifting techno energy for the finale. epic ep from a man and his machines.

another beatuy comes from the mysterious russian soul to us!

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster

following on from hot natured & infinity ink on pete tongs ffrr imprint comes the ultimate anthem of summer 2013 from industry heavyweight yousef featuring the beautiful voice of the angel, a new talent from liverpool.
already attracting huge attention, the epic *float away* will elevate you on a journey through sweeping synths and rolling grooves, with highly captivating vocals and an infectious warm melody sitting on a solid bassline.
yousef is a complete force within house music, a promoter, producer, remixer and label owner. this year he takes his legendary circus nights to ibiza for a residency on the island at new hot spot bomba. coming across super talented songstress the angel through a demo, the pair are already working on a follow up to this huge release.

slams new three track single flawlessly encaptures the modern drumcode sound. movement trundles forward with snare rolls and funky percussion. the synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. the realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. irrational numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle. layered with pads, the track uses depth to create a distinctive character

the world bringing 3 new emerging acts to the label, the summer sampler sets the tone of the future sound of colourful. hot and keen yet musical, the selection captivates different moments of the club night as imagined in the head of tobias linden. from the gorgeous builder that is flipside to the thick rolling anima onto the peak time percussive arcadia, closing with the piano laden tell the world - this is a ride well worth catching.

canadian artist carlo lio makes his first appearance on the saved imprint, delivering his unique sound with >what it is<. possessing a lot of energy with its warm, rolling bass line, the track builds and then moves into an intense drop, characterised with the twisted vocals, oscillating effects and trippy strings. over on the flip, french house producer phil weeks demonstrates why he is one of the best producers in the game, delivering a remix that seals the package of perfectly

special nice price deal !!
-rolling out with the amazing debut of 807 recordings by labelhead shamus coghlan. the a-side track is cerebral, complex and innovative, showcasing true artisan skill and passion. >5000 miles< delivers a thick, raw and pulsating drive that demands attention from the first laid beat. this no-nonsense, classic techno track is already gaining industry acclaim and, as an explosive introduction, sets the tone of (807) recordings. >further<, as the name suggests, aimed for perfection

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass

brazilian foursome funky fat are back with an unmissable summer release . the original ‘jealousy’ is a funk-fuelled ride of unbridled energy, solid grooves and seductive vocals. that shaping up to be another huge release for hot creations funky fat were first seen on the label with the ‘masochist ep’, their joint venture with fellow brazilian stars digitaria, which received critical acclaim across the board for its fresh fusion of electro, disco and pop. fans of the release included the likes of solomun, sasha and claude von stroke. hot creations label boss and hot natured member jamie jones delivers a killer remix of ‘jealousy’ for late night action, cutting the vocal into snippets and working around the infectious bassline with his own crispy hi-hats and rolling drum grooves.

with past releases on renegade hardware/dsci4/dispatch/chronic/ and now 117, verb has been pushing his versatile sound for over 20 years and now his time is near ... with a expert knowledge in sound production his debut release on 117 is holding no bars. verb caters for the true rolling sound of dnb and demonstrates that with the dark and twisted sounds of bad boy sound then takes it up a notch with the fierce and deadly gully.
white vinyl 10 inch in clear plastic sleeve.

italians do it betters most popular release is being repressed . .. glass candys electrifying b/e/a/t/b/o/x album. originally released in the late fall of 2007. features all the jams ... beatific ... candy castle ... etheric device ... life after sundown ... computer love ... rolling down the hills ... digital versicolor ... you get the idea. back to back italians do it better classics.

visionquest’s ryan crosson, mighty duo tale of us and the unique aquarius heaven all unite for the into later habits ep - the next release on the visionquest imprint. a-side angel is a collaboration between crosson and tale of us, a multi-layered head trip with a moody intro of broken beats that builds with intricate textures until a rolling groove drives the track into another dimension. b-side head under water is structured around the penetrating and distinctive voice of aquarius heaven as he weaves a story of the importance of family and love. beginning on a sparse, ambient tip with electronic bleeps and fx, the track develops with a hypnotic percussive groove that vibrates beneath the powerful narration.

if you have a lighter in your pocket, light it up! par grindvik with a huge detroitesc and dark 3 tracker on his own imprint sinister. thats what we call techno! andre kronert takes the light and switched it finally off thru an unstopable rolling and hard hitting rework! sinister!! shrinked.

terrence parker is a detroit legend and to celebrate this first edition of finally (terrence parker late night dub), in the pure house tradition with shaking bass, glamourous vocals, strings and piano, we decided to asked a remix to the one in france that keeps the houses flag high and strong: manoo. maya jane coles remixer, mixed on panorama bar 04 by nick höppner, signed on such labels as deeply rooted house, real tone record, ... with manoos remix, the vocal has been changed in an hypnotic mantra, synths are like rolling waves and the drum section is like a heartbeat. also two others remixers from the d!fus team lead the track in real different directions: laurent caligaris choosed the love and deep side: nostalgic and beautifull. maxco found the dark side of the deepness, miles away from the original reconstructed on rythmics, ambiance and deep synths.
already support from norm talley, ata, laurent garnier, fabrice lig, enola, claude monnet, grego g, patrick vidal, arno gonzalez, anton x, krispaglia ...

nice price deal !!! >whatever you say<, is a sexy tapeworm, that keeps rolling, triggered by its sensual bassline. a track that has no beginning and no end, but you could call a friend. hanne & lore have remixed whatever you say and whoever follows what they do, you never know what they come up with, but you can expect its going to be dead cool.the guys are magic in the way they bring together different elements, genres and create monster tunes. here hanne & lore have come up here with a dub version working with wonderful tape delays shaping a nice loose and deep traxter that puts a smile on your face

following on from the release of david ks well-received sneakers & playground ep, the unnerving pairing of nico & pherox (aka tim querengaesser) return with a record that is veiled by in a dark and mysterious shroud. nico (previously known as verena) is a young and fresh female artist, influenced from an early age by the classical work of her father (who worked as a music composer), whilst pherox is a more familiar presence in todays deep clubbing landscape, having released on mupa, catenaccio, dumb unit, stock5 and his very own label, slash. on this ep, the pair explore a broad palette of sounds, taking in italian horror film-esque chords, chopped and screwed vocal samples, rolling basslines, soothsaying vocals, drawn out fog horn stabs. this is deep music, flavoured by the nocturnal, tinted by the eighties, and ultimately full of originality.

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot